by Justin and Karen Nelson
ISBN 0-9629501-0-6
| Ordering information |
To celebrate the centennial year (1991) of the Cedar Falls Municipal Band a beautiful 321-page hard cover book was written by Justin and Karen Nelson: The Band Plays On: History of the Cedar Falls Band 1891-1991. This high grade publication is an excellent reference and source of band history which every Iowa library should have. Readers can enjoy hundreds of interesting photos, news articles, biographies, descriptive text, accountings, remembrances, and information.
Justin Nelson has played tuba in the band for over 50 years, and is band manager and a building trustee. He has also been featured occasionally on the ancient Sarrusophone. Karen Nelson was the band's historian and curator of the Iowa Band Museum. She began her research for this project while working on a graduate school term paper at the University of Northern Iowa. The Nelsons, with the aid and input of others in the community and band, have made the Cedar Falls Band history book a wonderful reality.
Here is an excerpt written by Dr. Paul Rider which perhaps best
describes the band and the spirit and content of the book:
The baton is raised, instruments are brought to their proper
positions, a hush falls over hundreds of people scattered about
the
lush green carpet of Overman Park. The strains of a brisk Karl
King
march fill the warm breezes of a fading summer twilight as the
Cedar Falls Municipal Band begins yet another of its concerts for
an appreciative audience of listeners gathered for a tradition
that
reaches back into the last century.
Viewing this rich spectacle can invoke images from The Music
Man, especially since that epic musical production has its
roots only 80 miles up the road. The spirit that con artist
Harold
Hill tapped into for his illicit schemes is alive and well in the
hearts and minds of Iowans. That spirit, in combination with the
love of a good woman, ultimately transformed Hill and brought out
the wholesome part of his character.
One cannot help but experience a kind of transformation and sense
of wholesomeness while being a part of a unique Cedar Falls
tradition now completing its first century. The sense of history
that pervades the entire operation of the band runs deep and
inspires a feeling of respect in those who have the privilege of
listening to and playing in the band.
Nothing exemplifies the tradition of the band more than the
rehearsal hall which is filled with pictures and artifacts that
span the entire history or the organization. There is a quiet
dignity that resides in the inner sanctum of this domain that
appears to have been captured in time. Walking into the main hall
with its antique music stands is like entering a
three-dimensional
Norman Rockwell painting.
Band uniforms hang on racks in a room to the east of the main
hall.
Ancient brass instruments occupy nooks and crannies in the
practice
room area and long-spend bass drum heads carrying the logo of the
band hang on the walls. None of these artifacts serve a practical
purpose for the modern band but their presence is a constant
reminder of the tradition that must be upheld by those who
continue
to inhabit these hallowed spaces.
The walls of the main hall are ringed with pictures of past
bands.
They celebrate past victories of the band in prestigious
competitions through the early years of this century. The
countless
hundreds of faces in those pictures reflect individuals who gave
something of themselves to keep the tradition going. Many are no
longer alive, but their spirit is captured in this special place
and it keeps watch over what goes on. Those who meet to rehearse
the intricate passages of The Crown Imperial March or
Holst's Military Suite in F can feel all those sets of
eyes
in those pictures, staring over the shoulders of the trombone
section, casting a critical glance that urges each player to find
a little more of himself or herself to put into the music. After
all, this isn't just any summer band, it is the Cedar Falls band!
Perhaps the most vivid reaction to the band that I have heard
came
from the leader of the Garden Avenue Seven Dixieland Band from
Largo, Florida. Bob Draga and his wife, Paulette Pepper, are
featured performers with this extraordinary musical group who
were
in town for the annual Sturgis Falls Dixieland Festival. He and
Paulette had just enjoyed a meal in the Victorian setting of the
Cedar Falls Woman's Club and wandered out into Overman park to
experience the ambience of a simpler time from the past that was
reborn during the first Stugis Falls Days in 1976.
He said he found himself stepping through a time warp into the
past. the people were all of today's world but they were part of
another Norman Recoil painting that could only emerge from a
midwestern setting. His rapture of the moment was complete when
he
heard the strains of the Cedar Falls Municipal Band floating
through the throngs in the park. His immense musical talents and
interests make him a true artisan of American music.
Pulling Paulette along with him, he made his way to the band
shell and stood immersed in the marches and overtures that
brought tears to his eyes. He dreaded that the moment had to end.
the chills he felt up his spine were genuine and served as a
testament to the fact that after one hundred years, the Cedar
Falls Municipal Band can still work its own unique magic in ways
that call forth something from the very best part of the human
soul.
For me, the privilege of being a part of the organization has
been special. Long after I am unable to coax a respectable note
from the shining tubes of brass hanging about my head, I will
have the vivid memory of sitting on the bandstand, looking out
into a sea of faces, watching people capture the very best a
summer night has to offer, and knowing that I played some small
part in a tradition that should never end.
To order send $35.00 plus $5.00 handling and postage to: BAND BOOK, P.O. Box 144, Cedar Falls, IA 50613. For further information call (319) 266-4308.
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